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His playing technique was also far removed from the ordinary. By now, Vollenweider had created his own composing style for the harp: soft, spectral, and at times formless with accompaniment by percussion instruments, from drums and gongs to wind chimes and even tuned salad bowls, as well as guitar and woodwinds. During this time, Vollenweider also composed music for film, theater, and television productions, but his preference not to write music in dark tones to convey fear, danger, and violence resulted in scaring away many directors. They recorded three albums and toured frequently throughout Europe. In the process of developing his own technique, he played the instrument for Poetry and Music, a group that mixed mood pieces and poetry recitations.

#ANDREAS VOLLENWEIDER CONCERT SCHEDULE TRIAL#

Instead, he gained proficiency through almost aimless trial and error and was, for the most part, a self-taught musician.ДЄfter trying his hand at a variety of different instruments, including guitar, flute, and piano, Vollenweider, in 1975, discovered the harp. A Bohemian type who rarely attended school, Vollenweider drove his music teachers crazy because he refused to follow the sheet music they gave him to play. I was never forced to do anything I didn't want to, but I'm sure that's where my interest comes from.' Despite a childhood saturated with creative influences, Vollenweider nevertheless was slow in finding a specific focus for his energies.

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'I grew up in a family of musicians and painters and designers,' he told the Detroit Free Press. His father, Hans Vollenweider, ranked among the most prominent organists, pianists, and composers in Europe and exposed his son to the classical and baroque styles at an early age. Not one apt to follow prescribed rules, Vollenweider-with his curly reddish-brown hair, sparkling eyes, and whimsical smile-does, indeed, possess all the physical as well as intellectual hallmarks of an artist willing to test long-held notions about music.Д«orn on October 4, 1953, in Zurich, Switzerland, to a musical family, Vollenweider seemed destined for a career in the arts. Moreover, Vollenweider was one of the first New Age artists to carve a significant identity through live performances and has been known to play up to 250 concerts per year, attracting not only fans of New Age, but those from the jazz and classical camps as well.ДЄlthough most known for his work on the electro-acoustic harp, a standard harp that Vollenweider modified to produce a wider range of sounds and a more percussive attack, he is adept at a variety of other instruments, including the piano, guitar, modern concert harp, Celtic harp, Chinese harp, Bavarian folk harp, baby koto, Chinese membrane flute, clay double flute, and more. While Vollenweider employs many of the same elements as his peers, he extended the boundaries of New Age, drawing from world music in addition to jazz and classical and exploring musical territory never before of interest to his contemporaries. Often referred to as 'audio Valium' or 'yuppie elevator music,' even by fans of New Age, the form-an improvisational combination of the pop, jazz, and classical styles-is mostly instrumental, mellow and melodic, and sometimes electronic. Vollenweider, in fact, won the first Grammy Award for New Age Music in 1987. Furthermore, Billboard magazine created a New Age album chart specifically for the style, and the Grammys added a new category for the emerging form. Nowadays, many of these musicians record for major labels, store outlets feature an exclusive 'New Age' section, and pop radio stations rotate pieces by New Age performers on a more regular basis. But through musicians such as Vollenweider, who transcended the need for alternative record sales when his albums simultaneously broached Billboard magazine's pop, jazz, and classical charts in 1986, the new, experimental style moved out of cultdom and into the mainstream. Prior to the late-1980s, such artists were usually produced by small, independent labels, their records overlooked by record stores and commercial radio. Swiss harpist Andreas Vollenweider was a pioneering force in the New Age or New Music movement, achieving fame throughout the world long before the genre became trendy. Addresses: Record company-Sony Classical, c/o Sony Music, 550 Madison Ave., 31st Fl., New York City, NY 10022 Management-Impact Music, Zurich, Switzerland Depth of Field, United States. Born on October 4, 1953, in Zurich, Switzerland son of Hans Vollenweider, an organist, pianist and composer married Beata, a kindergarten teacher, 1971.

Andreas vollenweider concert schedule